x
  • 21st Century Dizzy: Danilo Perez and Friends
  • Angelique Kidjo
  • Ann Hampton Callaway
  • Ann Hampton Callaway and Liz Callaway - Sibling Revelry
  • Ann Hampton Callaway and Liz Callaway in Boom!
  • Artie Shaw Orchestra
  • Arturo Sandoval
  • Ashley Kahn: Spoken Moments
  • Barrence Whitfield And The Savages
  • Béla Fleck & Abigail Washburn
  • Béla Fleck
  • Béla Fleck & The Flecktones
  • Béla Fleck / Zakir Hussain / Edgar Meyer
  • Bela Fleck and the Marcus Roberts Trio
  • Bill Charlap
  • Bill Charlap and Sandy Stewart
  • Billy Cobham
  • Blues At The Crossroads
  • Bobby McFerrin
  • Cécile McLorin Salvant
  • Chick Corea
  • Chick Corea & Gary Burton Duets
  • China Moses
  • Christian McBride
  • Corea, Clarke & White: Forever
  • Count Basie Orchestra
  • Danilo Perez
  • Dee Daniels
  • Dee Daniels - Great Ladies Of Swing
  • Dee Daniels - The Soul Of Ray Charles
  • Dee Dee Bridgewater
  • Del McCoury Band
  • Delfeayo Marsalis
  • Donny McCaslin
  • Dr. John
  • Dukes Of Dixieland
  • Ellis Marsalis
  • Ernie Watts
  • Fred Hersch
  • Gary Burton
  • Gary Burton Makoto Ozone Duets
  • Glen David Andrews
  • Harold Lopez-Nussa
  • Jack DeJohnette 70th Birthday Tour
  • Jack Jones
  • James Carter
  • James Cotton
  • Jane Monheit
  • Jason Marsalis
  • Jazz At Lincoln Center Orchestra With Wynton Marsalis
  • Jeff Coffin & the Mu'tet
  • Jim Hall
  • Jimmy Heath
  • Jimmy Herring
  • John McLaughlin
  • John Pizzarelli
  • Jon Anderson
  • Julian Lage
  • Julian Lage & Chris Eldridge
  • Lisa Fischer
  • Liz Callaway
  • Liz Callaway - The Beat Goes On
  • Liz Callaway - Tribute To Broadway
  • Lyle Mays
  • Madeleine Peyroux
  • Makoto Ozone
  • Maria Schneider
  • Marian McPartland
  • Maureen McGovern
  • Meshell Ndegeocello
  • Michel Camilo
  • Monterey Jazz Festival On Tour 55th Anniversary
  • Omaha Diner
  • Oregon With Ralph Towner
  • Ornette Coleman
  • Pat Martino
  • Pat Metheny
  • Pat Metheny Group
  • Pat Metheny Orchestrion
  • Patti Austin
  • Patti Austin & Count Basie Orchestra
  • Pete Seeger
  • POEMJAZZ: Robert Pinsky & Laurence Hobgood
  • Poncho Sanchez
  • Quetzal
  • Ramsey Lewis
  • Ramsey Lewis and Ann Hampton Callaway
  • Ravi Coltrane
  • Red Baraat
  • Ronnie Earl & The Broadcasters
  • Rory Block
  • Roy Haynes
  • Royal Southern Brotherhood
  • Rudresh Mahanthappa
  • Simone
  • Sonny Rollins
  • Soul Rebels
  • Stacey Kent
  • Stanley Clarke
  • Taylor Eigsti / Julian Lage Duo
  • Terence Blanchard
  • TestTest
  • The Empty Hearts
  • Tigran
  • Tinsley Ellis
  • Ute Lemper
  • Wintergatan
  • Wynton Marsalis
  • Pat Martino

    When the anesthesia wore off, Pat Martino looked up hazily at his parents and his doctors. and tried to piece together any memory of his life.

     

    One of the greatest guitarists in jazz, Martino had suffered a severe brain aneurysm and underwent surgery after being told that his condition could be terminal. After his operations he could remember almost nothing. He barely recognized his parents. and had no memory of his guitar or his career. He remembers feeling as if he had been "dropped cold, empty, neutral, cleansed, ... naked."

     

    In the following months. Martino made a remarkable recovery. Through intensive study of his own historic recordings, and with the help of computer technology, Pat managed to reverse his memory loss and return to form on his instrument. His past recordings eventually became "an old friend, a spiritual experience which remained beautiful and honest." This recovery fits in perfectly with Pat's illustrious personal history. Since playing his first notes while still in his pre-teenage years, Martino has been recognized as one of the most exciting and virtuosic guitarists in jazz. With a distinctive, fat sound and gut-wrenching performances, he represents the best not just in jazz, but in music. He embodies thoughtful energy and soul.

     

    Born Pat Azzara in Philadelphia in 1944, Pat was first exposed to jazz through his father, Carmen "Mickey" Azzara, who sang in local clubs and briefly studied guitar with Eddie Lang. He took Pat to all the city's hot-spots to hear and meet Wes Montgomery and other musical giants. "I have always admired my father and have wanted to impress him. As a result, it forced me to get serious with my creative powers."

     

    He began playing guitar when he was twelve years old. and left school in tenth grade to devote himself to music. During Visits to his music teacher Dennis Sandole, Pat often ran into another gifted student, John Coltrane, who would treat the youngster to hot chocolate as they talked about music.

     

    Besides first-hand encounters with `Trane and Montgomery, whose album Grooveyard had "an enormous influence" on Martino, he also cites Johnny Smith, a Stan Getz associate, as an early inspiration. "He seemed to me, as a child. to understand everything about music," Pat recalls.

     

    Martino became actively involved with the early rock scene in Philadelphia, alongside stars like Bobby Rydell, Frankie Avalon and Bobby Darin. His first road gig was with jazz organist Charles Earland, a high school friend. His reputation soon spread among other jazz players, and he was recruited by bandleader Lloyd Price to play hits such as Stagger Lee on-stage with musicians like Slide Hampton and Red Holloway.

     

    Martino moved to Harlem to immerse himself in the "soul jazz" played by Willis “Gatortail” Jackson and others. He previously had "heard all of the so called “white” jazz. “I’d never heard that part of our culture," he remembers, until the Montgomery Brothers. The organ trio concept had a profound influence on Martino's rhythmic and harmonic approach. and he remained in that idiom as a sideman, gigging with Jack McDuff and Don Patterson. An icon before his eighteenth birthday, Pat was signed as a leader for Prestige Records when he was twenty. His seminal albums from this period include classics like Strings!, Desperado, El Hombre and Baiyina (The Clear Evidence), one of jazz's first successful ventures into psychedelia.

     

    In 1976, while performing internationally with his fusion group “Joyous Lake” Martino began experiencing seizures, which were eventually diagnosed as AVM, a condition he was born with. After surgery and recovery, he resumed his career when he appeared in 1987 in New York, a gig that was released on a CD with an appropriate name, The Return. He then took another hiatus when both of his parents became ill, and he didn't record again until 1994, (after their death) when he recorded Interchange and then The Maker.

     

    Today, Martino lives in Philadelphia again and continues to grow as a musician. As the New York Times noted, "Mr. Martino is back and he is plotting new musical direc tions, adding more layers to his myth." His experiments with guitar synthesizers, (begun during his rehabilitation) are taking him in the direction of orchestral arra ngements and they promise groundbreaking possibilities. Musicians flock to his door for lessons, and he offers not only the benefits of his musical knowledge, but als o the philosophical insights of a man who has faced and overcome enormous obstacles. "The guitar is of no great importance to me," he muses. "The people it brings to me are what matter. They are what I'm extremely grateful for, because they are alive. The guitar is just an apparatus."


    Biography courtesy of DL Media


    A Brief Resume


    Pat began playing professionally in 1961. He has performed with a wide variety of artists including Sonny Stitt, Gene Ammons, Richard Groove Holmes, John Handy, Bobby Hutcherson, Chick Corea, Jack McDuff, Don Patterson, Stanley Clark, Eric Kloss, Trudy Pitts, Willis Jackson, Lloyd Price, Woody Herman, Chuck Israels, Charles Earland, Barry Miles and Joe Pesci. Since 1967, Pat has been touring as a leader.

     

    He has been a Recording Artist for Vanguard, Prestige, Warner Brothers, Muse, Columbia, King, Paddlewheel, Evidence, Sony, 32 Jazz, High Note, Milestone, Polydor, Concord, Fantasy, House of Blues, Mythos, Mainstream, Cobblestone, Atlantic and, most currently, Blue Note Records.

     

    Pat has given Guitar and Music Therapy Seminars, Clinics and Master Classes throughout the world, at locations including North Texas State University, G.I.T., Berklee College (Boston and Perugia, Italy), Duquesne University, Teatro Rasi (Ravenna, Italy), LeCentre Culturel (D’Athis Mons, France), University of Washington School of Music, Skidmore College, Musicians Institute, National Guitar Workshop, New York University, Pennsylvania University, Stanford University, The University of Missouri, Roosevelt University (Chicago), Patti Summers Jazz Club (Seattle), Music Tech College (St. Paul), The New School (New York City), Southern Illinois University, The Conservatory of Amsterdam (The Netherlands), Cork Festival (Cork, Ireland), Washington University (St. Louis, MO), Wisconsin Conservatory of Music, Musictech College (St. Paul, MN), Nordoff-Robbins Center for Music Therapy at NYU (New York, NY), Greater Hartford Academy of the Arts (Hartford, CT), and the University of Maryland.

     

    Pat is currently on the adjunct faculty at the University of the Arts in Philadelphia, PA.

     

    Since the mid 1990s, Pat has received the following awards:
    1995
    Mellon Jazz Festival / Dedicated in Honor
    1996 Philadelphia Alliance "Walk of Fame Award"
    1997 National Academy of Recording Arts & Sciences "Songs from the Heart Award"
    2002 Grammy nominations for Best Jazz Instrumental Album, "Live at Yoshi's", and Best Jazz Instrumental Solo on 'All Blues'
    2002 National Academy of Recording Arts & Sciences "2nd Annual Heroes Award"
    2003 Grammy nominations for Best Jazz Instrumental Album, "Think Tank", and best Jazz Instrumental Solo on 'Africa'.
    2004 Guitar Player of the Year, Downbeat Magazine's 2004 Reader's Poll

     

    Image 01 Image 01 Image 02 Image 03 Image 04 Image 05 Image 06 Image 07 Image 08 Image 08 Image 09 Image 10 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11