x
  • 21st Century Dizzy: Danilo Perez and Friends
  • Angelique Kidjo
  • Ann Hampton Callaway
  • Ann Hampton Callaway and Liz Callaway - Sibling Revelry
  • Ann Hampton Callaway and Liz Callaway in Boom!
  • Artie Shaw Orchestra
  • Arturo Sandoval
  • Ashley Kahn: Spoken Moments
  • Barrence Whitfield And The Savages
  • Béla Fleck & Abigail Washburn
  • Béla Fleck
  • Béla Fleck & The Flecktones
  • Béla Fleck / Zakir Hussain / Edgar Meyer
  • Bela Fleck and the Marcus Roberts Trio
  • Bill Charlap
  • Bill Charlap and Sandy Stewart
  • Billy Cobham
  • Blues At The Crossroads
  • Bobby McFerrin
  • Cécile McLorin Salvant
  • Chick Corea
  • Chick Corea & Gary Burton Duets
  • China Moses
  • Christian McBride
  • Corea, Clarke & White: Forever
  • Count Basie Orchestra
  • Danilo Perez
  • Dee Daniels
  • Dee Daniels - Great Ladies Of Swing
  • Dee Daniels - The Soul Of Ray Charles
  • Dee Dee Bridgewater
  • Del McCoury Band
  • Delfeayo Marsalis
  • Donny McCaslin
  • Dr. John
  • Dukes Of Dixieland
  • Ellis Marsalis
  • Ernie Watts
  • Fred Hersch
  • Gary Burton
  • Gary Burton Makoto Ozone Duets
  • Glen David Andrews
  • Harold Lopez-Nussa
  • Jack DeJohnette 70th Birthday Tour
  • Jack Jones
  • James Carter
  • James Cotton
  • Jane Monheit
  • Jason Marsalis
  • Jazz At Lincoln Center Orchestra With Wynton Marsalis
  • Jeff Coffin & the Mu'tet
  • Jim Hall
  • Jimmy Heath
  • Jimmy Herring
  • John McLaughlin
  • John Pizzarelli
  • Jon Anderson
  • Julian Lage
  • Julian Lage & Chris Eldridge
  • Lisa Fischer
  • Liz Callaway
  • Liz Callaway - The Beat Goes On
  • Liz Callaway - Tribute To Broadway
  • Lyle Mays
  • Madeleine Peyroux
  • Makoto Ozone
  • Maria Schneider
  • Marian McPartland
  • Maureen McGovern
  • Meshell Ndegeocello
  • Michel Camilo
  • Monterey Jazz Festival On Tour 55th Anniversary
  • Omaha Diner
  • Oregon With Ralph Towner
  • Ornette Coleman
  • Pat Martino
  • Pat Metheny
  • Pat Metheny Group
  • Pat Metheny Orchestrion
  • Patti Austin
  • Patti Austin & Count Basie Orchestra
  • Pete Seeger
  • POEMJAZZ: Robert Pinsky & Laurence Hobgood
  • Poncho Sanchez
  • Quetzal
  • Ramsey Lewis
  • Ramsey Lewis and Ann Hampton Callaway
  • Ravi Coltrane
  • Red Baraat
  • Ronnie Earl & The Broadcasters
  • Rory Block
  • Roy Haynes
  • Royal Southern Brotherhood
  • Rudresh Mahanthappa
  • Simone
  • Sonny Rollins
  • Soul Rebels
  • Stacey Kent
  • Stanley Clarke
  • Taylor Eigsti / Julian Lage Duo
  • Terence Blanchard
  • TestTest
  • The Empty Hearts
  • Tigran
  • Tinsley Ellis
  • Ute Lemper
  • Wintergatan
  • Wynton Marsalis
  • James Carter

    One of jazz's most acclaimed, distinctive improvisers, virtuoso saxophonist JAMES CARTER returns to a favored format and simpatico colleagues with At the Crossroads, his 15th CD as a leader and the third showcasing his long-standing Organ Trio.

     

    Enjoying consistently inspired interplay with fellow Motor City stars organist Gerard Gibbs and drummer Leonard King Jr., Carter gets down in his inimitable way on a 12-track program that boasts rollicking swingers, moving ballads, a gospel standard, and, of course, plenty of blues-drenched items.

     

    A powerhouse companion disc to Live at Baker's, the 2001 recording that marked the trio's formation, and 2005's Out of Nowhere, their formal CD debut, the album places Carter right where he wants to be -- grooving in the pocket with Gibbs and King.

     

    "There's a reason the trio is my longest running and most cohesive band," says Carter, 42, who notes that all members contribute tunes and arrangements to the trio's book. "Gerard and Leonard are consummate musicians who have shaped the music at every level. We all have our own projects, so we go out into the world and deal with whatever musical merriment we have, and when we come back as this particular group, we bring our musical experiences back with us."

     

    The Detroit-centric cast of special guests includes the actress and vocalist Miche (pronounced Mickey) Braden, guitarists Brandon Ross and Bruce Edwards, trumpeter Keyon Harrold, trombonist Vincent Chandler, and percussionist Eli Fountain.

     

    Carter packs At the Crossroads with a wide variety of gems. The opener "Oh Gee," a romping blues-with-a-bridge, displays Carter's tradition-rich tenor saxophone wares and reveals what potent partners Gibbs and King are. On the slower side are Ellington's timeless "Come Sunday," with a stirring vocal by King, and the ballad "My Whole Life Through," written by organ pioneer Sarah McLawler in the early 1950s. Carter's tender tenor shines here, as does Gibbs's locked-hands organ solo. "I was just struck by Sarah's music," Carter states. "She's a continued source of inspiration."

     

    Other memorable selections include "Misterio," which investigates a comely Latin-ish beat, with Carter's warm soprano saxophone out front; and a searing version of Julius Hemphill's "The Hard Blues."

      

    The trio's longevity is certainly a chief factor in the unmistakable success of At the Crossroads. Carter first met organist Gibbs in the late 1980s at Detroit jam sessions and was immediately impressed. "He continues to surprise and startle as far as the potential of what the organ can really do," Carter says.

     

    King and Carter go back to his teenage years, when he was a member of King's combo Strata Nova, an important proving ground for young Detroit players. "He's been able to hip me to various artists, providing stacks of albums and cassettes over the years," Carter recalls.

     

    Described by critics as "outrageously accomplished" and "simultaneously sensual and powerful," with "soulfulness and technique in perfect balance," James Carter has been a jazz marquee artist for more than two decades. He started playing high-level gigs with people like Lester Bowie, Wynton Marsalis, and Julius Hemphill in the late 1980s and established himself as a restlessly curious artist who finds "tremendous beauty in cross-pollinations of music and influences." Earlier this year, his collaboration with classical composer Roberto Sierra, Caribbean Rhapsody (Emarcy), was released to strong reviews. The CD contains Carter's tour de force performance of Sierra's Concerto for Saxophones and Orchestra, which he premiered with the Detroit Symphony in 2002.

     

    Carter "often blends the far-out and the far-in within the same solo," Will Friedwald wrote in the New York Sun when the saxophonist's Present Tense (Emarcy) was released in 2008, "and lately he seems to be doing it at the same time, to have a traditional rhythm section playing against a screaming free jazz solo. He uses honks and screams not just the way the free jazzers do, but the way R&B-styled tenorists do, and thus somehow reconciles what is generally considered the least commercial variety of the music with the most accessible."

     

     

    Territory: Africa, Asia (including Japan and the Middle East), North America (including the Caribbean and Mexico) and Central America.

     


    Management American International Artists, Inc.
    Cynthia B. Herbst, President

    Tel. 518-686-0972 x202 | Email Cynthia@aiartists.com
    Publicity
    Laurie O’Brien
    Tel. 518-686-0972 x 200
     
    Image 01 Image 01 Image 02 Image 03 Image 04 Image 05 Image 06 Image 07 Image 08 Image 08 Image 09 Image 10 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11 Image 11